Chevron Left
Volver a ART of the MOOC: Activism and Social Movements

Opiniones y comentarios de aprendices correspondientes a ART of the MOOC: Activism and Social Movements por parte de Universidad Duke

4.5
estrellas
95 calificaciones
26 reseña

Acerca del Curso

This course is for activists, artists, and thinkers who wish to better understand and participate in social change. We will focus on the prolific and exciting overlap between socially engaged art and cultural practices generated by recent social movements around the world. Rather than assess the political efficacy of activities like mourning, listening, organizing, dancing, or partying, the lectures examine such cultural activities next to, and within, contemporary art practice. Included in the course are guest presentations by key artists, activists, and scholars, like: Rebecca Gomperts, Chido Govera, Gulf Labor, Hans Haacke, Sharon Hayes, Jolene Rickard, Gregory Sholette, Joshua Wong, and many more. Designed by artist and Duke professor, Pedro Lasch and co-taught by Creative Time artistic director, Nato Thompson, the course challenges learners to treat the MOOC itself as a social and artistic form. This happens mostly through the practical components, local project productions, global exchanges, and critical feedback. While no prior art making or activist experience is required, projects also offer challenging options for advanced learners. For other course offerings or language versions in this series, just search 'ART of the MOOC' inside the Coursera course catalogue....

Principales reseñas

IA

May 23, 2018

This course was really helpful in understanding the significance of art in social activism, and the project was a lot of fun.

LM

Jun 30, 2020

I plan to go back and rewatch some guest lessons and look at the materials in the future.

Filtrar por:

26 - 27 de 27 revisiones para ART of the MOOC: Activism and Social Movements

por Paola L

Apr 12, 2018

Great explanations for entry level art students, perhaps I would have liked them to go a little deeper into each topic. The interviews with other artists were very nice, the visuals and references throughout the course were very appropiate.

por Monica A

Apr 16, 2020

Nato Thompson is the WORST. If you can get past him interrupting Pedro Lasch at every opportunity he gets, you'll be able to survive the course. I also feel that the transcription of the lectures needs to reviewed and improved quite a bit.