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Exploring Beethoven’s Piano Sonatas Part 2, Curtis Institute of Music

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Welcome to Part 2 of Exploring Beethoven's Piano Sonatas! I'm delighted to launch another set of new lectures of this course as Part 2. As before, this class is meant for people of all levels of experience with Beethoven's music (including no experience at all!). Remember that you are able to watch the lectures as many times as you like, at whatever pace is comfortable for you. As I’ve done with the first set of Beethoven lectures, I look forward to meeting with students—online and in person, in various cities. The dates and locations will be posted in the Announcements and Events section, as part of the course content. So please remember to check back there for details. In these four new lectures, we will explore the following sonatas: • Sonata Op. 2, No. 3 • Sonata Op. 13 (“Pathetique”) • Sonata Op. 53 (“Waldstein”) • Sonata Op. 90 The Dolfinger-McMahon Foundation supports Curtis’s lifelong learning initiatives....
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19 revisiones

por Ramon Manes

Oct 02, 2018

I will be revisiting the course since many things require re-re-re-revising over and over again. The way Mr. Biss explains the sonatas is concise and yet manages to bring into words the inexplicable.

por Graeme Herrington

Apr 10, 2018

Excellent as ever.

por Bill Deef

Mar 04, 2018

The problem with this course as with all evaluations of musical works is that there is just not the vocabulary to deal with his greatness. It might be insightful to a professional musician to point out all the key changes, tricks with the sonata form, chord progressions, etc., but for an amateur, these technical tricks add nothing to the music itself. The mystery remains why, with all their technical expertise and cleverness, no analyst of Beethoven's works has ever explained just WHERE he got his themes and melodies from. Biss tries his best, but, after a while, if you don't play the piano, it isn't very satisfying to learn (in a cursory way) about the construction of Beethoven's sonatas, no more than it would be to learn the grammar of Tolstoy's novels.

por Jerrold Spinhirne

Feb 11, 2018

Mr. Biss' presentations and playing were excellent throughout. I gained more insight into the sonatas, Beethoven's compositional technique, his life, and music composition in general. I cannot praise this course highly enough!

por joseclon

Jan 10, 2018

Excellent, highly recommend. Mr Biss is a magnificent instructor and amazing performer. Thank you.

por Richard Hendin

Dec 14, 2017

An ear-opening series of lectures, in which a gifted pianist generously shares his knowledge. Jonathan Bliss concentrates on form, bringing out how the powerful emotional effects of the piano sonatas are in large part due to Beethoven's misuse of sonata form. I worried that listening more intellectually might diminish the sonatas' emotional effects, but the opposite is true: with understanding comes intensification. A profound thank you to all who made this series possible.

por joanna kelley

Sep 20, 2017


por Vedran Sohinger

Aug 29, 2017

This is an excellent class. It is a great continuation of the first part of the lecture series and ties into them nicely. I would highly recommend taking this class.


Aug 18, 2017

Excelent, how about Mozart

por Samuel Folkes

Jul 31, 2017

Jonathan Biss is brilliant. I would love to watch him lecturing about absolutely anything!