Perhaps no other relic of the European Middle Ages captures our imagination more than illuminated medieval manuscripts, or those documents decorated with images and colored pigments. Serving as windows unto a lost world of kings, ladies, faith, war, and culture, they communicate complex visual and textual narratives of Europe’s collective cultural heritage and patrimony. In this fashion, illuminated manuscripts are dynamic messages from our communal past that are still relevant today in fields like graphic design and typography.
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Deciphering Secrets: The Illuminated Manuscripts of Medieval Europe
Sistema Universitario de ColoradoAcerca de este Curso
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Programa - Qué aprenderás en este curso
COURSE INTRODUCTION. INTRODUCTION TO MEDIEVAL WORLD AND MANUSCRIPT STUDIES
MEDIEVAL EUROPEAN KINGDOMS (PART 1) AND WRITING SUPPORTS AND BOOK FORMATS
MEDIEVAL EUROPEAN KINGDOMS (PART 1) AND WRITING SUPPORTS AND BOOK FORMATS: Lesson Choices
MEDIEVAL EUROPEAN KINGDOMS (PART 2) AND THE WRITING CASE AND THE ARCHITECTURE OF THE CODEX
MEDIEVAL EUROPEAN KINGDOMS (PART 2) AND THE WRITING CASE AND THE ARCHITECTURE OF THE CODEX: Lesson Choices
A GLIMPSE OF SPAIN'S KING ALFONSO X "THE WISE" AND PREPARING THE PAGE FOR WRITING
A GLIMPSE OF SPAIN'S KING ALFONSO X "THE WISE" AND PREPARING THE PAGE FOR WRITING: Lesson Choices
Reseñas
- 5 stars78,16 %
- 4 stars13,38 %
- 3 stars3,52 %
- 2 stars2,81 %
- 1 star2,11 %
Principales reseñas sobre DECIPHERING SECRETS: THE ILLUMINATED MANUSCRIPTS OF MEDIEVAL EUROPE
This is definitely a must for anyone with an interest in history. The combination of the historic backdrop and the practical nature of manuscript studies makes it even more
A very good introduction to palaeography and codicology for anyone pursuing a history degree.
An excellent overview of a complex subject , with the rare option to explore the practical skills involved in making manuscripts , and with a forward view of new research evolving IT makes possible.
Excellent. I really enjoyed the course. I learnt loads, both theoretical and practical.
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