And so if we wanted to turn this into, not a two six
five, from a two six five into a five six five of five.
That is to make it a dominant of the dominant.
Then we just need to change one note, we've got the root,
we've got the third, we've got the fifth, and we've got the seventh.
And the only thing holding us back from sounding like a
dominant seventh chord is the fact that it's minor, you know.
Because we have the root, the root and the seventh are a minor seventh apart.
So the problem is the triad. The triad is minor.
If we turn the triad into major, it becomes a dominant chord [SOUND].
So there's our third and we
raise the third to make it major. And now, if we go back and listen to it.
Actually, what I'll do instead
[SOUND]. Is this [SOUND].
Whoops.
And we can compare them, right next to each other.
[MUSIC]
We can hear this leading tone resolving up to the tonic.
But even when we get here, we, it still sounds like a five chord.
It doesn't really, we're not really convinced that
it's all of the sudden a new tonic.