Good, so that's how to think about adding in this
progression within a progression of, where chords are a second apart.
Third apart, well this is actually kind of a common thing if
you wanted in a modulation in particular if let's say you are in
a one code and you are major, and you want to go
the third that's below it and why because this is the parallel minor.
So,
[MUSIC]
[UNKNOWN] will get that.
We want to add in some kind of five of five.
Well, the fifth above this G chord is a D chord.
So, well, let's just voice lead it, you know?
[SOUND] We're going to need a D major chord,
so this guy's going to go to the root.
[MUSIC]
And we need to move this up by, this is going to be our, our semitone.
You, you notice that you get, you know, you
get small movements, and you, you'll very frequently get just
one note moving by a semitone, and that's, that's
going to be the, also the note that is adding chromaticism.
Let's throw in the analysis here.
Which is a five. It doesn't always have to be five seven,
right?
It can just be five, five of six, like that.
So if we look at this, this is actually a three chord that's gone major.
In a major key, the three is a minor, right?
So we get a three chord and we make it major.