Copyright questions about different formats (data, images, music and video) can be especially difficult. Sometimes the law specifically distinguishes between these different formats, and in most cases there are media-specific considerations that impact a copyright analysis. In this course we will look at four different media, paying special attention to the unique issues for each one and the kinds of information that is important when making copyright decisions for each type of material. We will work through fair use issues for each multimedia format, look at format-specific exceptions in the law, and consider unique issues for seeking permission for film, music, images and data. At the end of this course, participants will have a deeper understanding of how to apply our framework for making copyright decisions, and will be more comfortable with assessing multimedia issues. They will have gained more and more diverse experience for considering fair use.
Students and Film
Reseñas
I don't know how you did it; you made the subject of copyright law fascinating. And you clearly and presented very important and useful information. Thank you.
Very good course with a lot of\n\npractical examples and real cases to be analyzed.\n\nFormat also quite nice with many small sub-lessons on each topic.
Copyright issues for film tend to be complicated because of the number of creators and creative works that come together to make them. In this module, students will learn to apply the fundamentals of copyright with regard to film. Topics covered include identification of the various rights and rights holders involved in many films, the role of copyright exceptions when creating or using film in educational settings, and when and how to seek permission to make use of copyrighted material in films.
Impartido por:
Kevin Smith, M.L.S., J.D.
Former Director, Copyright and Scholarly Communication
Lisa A. Macklin, J.D.,M.L.S.
Director, Scholarly Communications Office
Anne Gilliland, JD, MLS
Scholarly Communications Officer
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