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Mozart's "Wrong" Notes

We begin exploring string quartets during the Classical Era, when balanced structure emphasized variety, contrast, and drama. Discover the starting point of four democratic and personal string voices—and, before long, its development—with Haydn (Op. 33, No. 2, "The Joke"), Mozart (K. 465, "Dissonance"), and Beethoven (Op. 18, No. 1; Op. 130; and Op. 131). There was a dramatic change in performance from Beethoven's time to our own era. How did that happen?

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