About this course: Want to know how some of the 20th century’s most celebrated artists made abstract paintings? This course offers an in-depth, hands-on look at the materials, techniques, and thinking of seven New York School artists, including Willem de Kooning, Yayoi Kusama, Agnes Martin, Barnett Newman, Jackson Pollock, Ad Reinhardt, and Mark Rothko. Through studio demonstrations and gallery walkthroughs, you’ll form a deeper understanding of what a studio practice means and how ideas develop from close looking, and you’ll gain a sensitivity to the physical qualities of paint. Readings and other resources will round out your understanding, providing broader cultural, intellectual, and historical context about the decades after World War II, when these artists were active. The works of art you will explore in this course may also serve as points of departure to make your own abstract paintings. You may choose to participate in the studio exercises, for which you are invited to post images of your own paintings to the discussion boards, or you may choose to complete the course through its quizzes and written assessments only. Learners who wish to participate in the optional studio exercises may need to purchase art supplies. A list of suggested materials is included in the first module. Learning Objectives: Learn about the materials, techniques, and approaches of seven New York School artists who made abstract paintings. Trace the development of each artist’s work and studio practice in relation to broader cultural, intellectual, and historical contexts in the decades after World War II. Hone your visual analysis skills. Use each artist’s works as a point of departure for making your own abstract paintings.
Who is this class for: This course is for anyone interested in learning more about the materials and techniques of postwar abstract painting. Please note: No prior knowledge of art history or studio art is required. You may complete this course with written assessments only, or choose to participate in the studio component. The course includes a list of painting supplies you may want to purchase.
Taught by: Corey D'Augustine, Art conservator, technical art historian, and artist
Department of Education
| Level | Beginner |
| Commitment | 1-2 hours per week, plus additional time for optional studio exercises |
| Language | English |
| How To Pass | Pass all graded assignments to complete the course. |
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I liked this course very much. The instructor Corey D'Augustine has an excellent presentation style: clear, concise and to the point. The studio component of the course was difficult but extraordinary rewarding, the works of the artists covered are incredibly difficult to reproduce. You get a true understanding of the brilliance of their ideas and their works. Excellent course. I highly recommend it.
Really enjoyed finding out about a part of art history I had known and greatly enjoyed trying out the well explained (surprisingly complex!) techniques.
I loved taking this course. I learnt a lot about the artists, mediums and techniques. Corey makes it really interesting and easy to follow. I would definitely take another class like this in the future. Thanks!
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This course was in one word "Excellent" my thanks are going to Professor D'Agostine and is team in the background making it all possible. I did learn a lot and not only for a moment. Inspiring "In the Studio" and at te same moment a high motivation. Thanks a lot again!!!!